Lens Culture has put up an interview with photographer Hiroh Kikai that was done by French curator and critic Marc Feustal, presumably conducted recently while Kikai was in Paris for the recently-concluded Paris Photo fair. I always appreciate photographers who are also articulate with the written word like Robert Adams, and have had a sense that Kikai, who studied philosophy at university and whose essays have been extensively published would fit this mold. However, only a few of his writings are available in English.
Truth be told, Kikai tells Feustal that “the idea of writing has always more or less paralyzed me,” and his take on writing and how it compares to photography is just one of several interesting insights into Kikai that the interview provides. I particularly appreciated this part:
To be completely honest with you, I must admit that I never look at the work of other photographers. I am always concerned that I will be destabilized by the fact that some of them are much better than I am. If a photographer cannot look at this work objectively, then he is not a true photographer. A photographer must constantly put himself into perspective because photography is not an innate language. It is not because I spend 24 hours running through the streets looking for photogenic models to pose for my camera that I will get good results.
Read the whole thing. It’s not terribly long but very insightful. Kikai’s Asakusa Portraits was published by the International Center of Photography and Steidl earlier this year, marking his first non-Japan published book. We have several earlier Kikai books in the bookstore (both new and used), including a small paperback version of the Asakusa Portraits, as well as my own personal favorite, Tokyo Labyrinth, now unfortunately out of print and a bit pricey.
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Curious to find out more about Marc Feustal, I was taken to Studio Equis Limited, which puts together exhibitions and publications focusing on post-war and contemporary Japanese photography. Feustal is one of Studio Equis’ directors along with Tsuguo Tada and Helen Feustal.
Studio Equis was behind the Eyes of an Island exhibit that was held in London in 2007, and a Hiromi Tsuchida exhibit in Los Angeles earlier this year. Not surprisingly they were involved in Paris Photo as well, where they presented Tokyo Stories, featuring nearly 100 rare prints by Hiroshi Hamaya, Tadahiko Hayashi and Shigeichi Nagano. The Studio Equis website has ample slide shows illustrating each of these exhibitions, as well as the Japan: a Self-Portrait, Photographs 1945-1964 one they will be putting on in Tokyo and Nagoya next year.
You can also browse photographs by artists including Yasuhiro Ishimoto, Toshio Shibata, and the aforementioned Hiroh Kikai, among others.
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Michael Hoppen Gallery is currently showing Hana Kinbaku, a series of “handmade, one-off diptychs, never before seen in the UK” by Nobuyoshi Araki.
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I have been looking for some sort of online blogging or reporting about Paris Photo but have not really come up with much. I’m probably not searching hard enough, although it isn’t exactly the kind of event that inspires “live blogging”, I suppose. 5B4/Errata Editions’ Jeffrey Ladd was there and he has a brief report on some of the proceedings, although nothing touching on the Japan side of things except for a picture of Koji Onaka signing books (scroll right to the end of this photo strip). It looks like he’s signing a copy of Tokyo Candy Box, which we are carrying in the bookstore (signed as well).
The event organizers themselves have posted five videos over at Dailymotion, of varying lengths (nine are listed but they include 4 duplicates). They’re a mixture of meandering through galleries and booths, and interviews with various participants or spectators, and more or less professionally done. Sound is mainly French or English depending on who is being interviewed. Japan-related content is scattered amongst all five videos.
This Flickr user has a few photos of the event at the beginning of his photostream. There are more photos here as well, although not so many on the Japan angle. Another gallery is here, along with a video if you scroll down the page. I was sort of expecting there to be quite a lot of photos on Flickr but there aren’t. It’s probably too early since past Paris events are well-represented.