Light Reading
Japan Realist Photographers Association Show
Prompted by a several friendly personal encounters with their members, I have decided to join the Japan Realist Photographers Association (JRP). Given the size of the population of photographers in Japan, the JRP is surprisingly small, just under 1000 nationwide in 60 chapters. For a while I have been contemplating to become more officially networked and even had been considering joining some sort of “photo club”, but my impressions have always been rather negative. This time things look quite a bit better so I thought I would give it a chance and see if it helps me forward as a photographer.
I have been to several of the monthly meetings now and found them quite stimulating since most of the time is spent presenting your and looking at other people’s pictures, which is always a good thing. The standard of work is fairly mixed. There are some very competent and expressive people, but also digi snappers that still seek direction. Most everyone seems very serious about the subject and the comments are constructive, again this is essential. One of my other worries was the prominence of colour in Japanese photo groups, so here I was pleasantly surprised to see a lot of black and white work.
As part of the standard ways of organisation you join a JRP chapter, usually the one closest to you. In my case this is Matsudo in Chiba prefecture. Every chapter has an annual group show and this is no different. The above post card is the invitation to the show and if you are within reach, please come by and have a look (click on the map on the right or here for Google map).
I have committed to showing four images but have yet to print any of the pictures and matt them. There is also a group theme where everyone contributes a single image. This year’s theme is 食 (shoku, which stands for meal, (one’s) diet or food) and I have not decided on an image for this yet. The work should be to a high standard as every chapter can invite a top level photographer member to look at the show. In our case this will be Goro Nakamura, a well known Japanese documentary photographer.
Well, I have some work ahead of myself so I better get on with it! I will continue reporting on how things progress..
Author/Editor: Dirk RöslerRelated posts and articles on Japan Exposures:
- Not a bad picture on show Report from Camera and Photo Imaging Show 2011, Yokohama At the risk of stating an utterly obvious and absolutely not...
- Prepare to show A year has passed again and it is time for me to prepare for the annual JRP chapter exhibition, starting...
- Japan in the 60s and 70s – through 4 Photobooks Recently I've been wondering if there isn't more we here at Japan Exposures can be doing to, er, expose Japanese...
- Megaperls is now Japan Exposures As of 1 Nov 08 Megaperls has evolved into Japan Exposures. After exactly four years of successful operation we thought...
- ようこそJapan Exposuresへ フォトグラフィーの世界は常に変化しています。そしてそれは今後もそれは続くでしょう。あるものは絶え間なく変化し、また、あるものは全く変化しません。写真画像を生み出すために使われる手法は常に変化していますが、それを生み出すための動機はほとんど変わっていません。 現在主要カメラメーカーの多くが存在する場所であるという事実と、その他多くの点からも日本は写真界の中心にあると言えるでしょう。これは単に目に見えるものだけではありません。日本はこの媒体に真に惚れ込んでいます。世界中を見ても、多種多様な写真関連の新製品—今日ではすき間市場(ニッチ)であるフィルムとフィルムカメラ、あらゆる好みを網羅する写真集や雑誌を含み―が単に国内の需要を満たすためだけに生産され、しかも発展しうる経済活動として続いている場所は他にはないでしょう。日本ではフォトグラフィーにいつでもどこでも接することができます。しかし、それが国境を越えて世界に出て行くことはごくまれです。 未知の土地への旅を楽しむ人は、究極の発見のためには地元のガイドが必要だとご存知でしょう。Japan Exposuresは日本のフォトグラフィー界で今生み出されている作品と過去の作品を、またこれらを生み出す手段や人々をあなたに個人的に紹介する機会を提供したいと思います。個人的な紹介というのは単なる一度きりの出会いではなく、今後長く続く友情を築くものになるはずです。 Japan Exposuresを支える人々は、現在活躍中のフォトグラファーで、同志の関心やニーズをよく理解しています。私たちは、個人的に日本のフォトグラファー、ギャラリー、出版社、機器メーカーとサプライヤー、そしてこの分野で活躍している大学教授などと交流があります。ただ、このネットワークよりも重要なものは、私たち一人ひとりが持つ普遍の欲求―様々な手段や他のフォトグラファーの作品を見てみたい―です。私たちはこの欲求を実現し、私たち相互の日本写真界への繋がりを強め、その写真財産を増やすためにここに存在します。 共に日本のフォトグラフィーを探求してみませんか? Japan Exposuresへのお問い合わせ、ご意見、ご感想等は、下記のお問い合わせフォームをご利用ください。 Tweet...





February 17th, 2010 at 6:59
I have several issues of magazines from the 1990′s by the Japan Realist Photographers Association. Can you help me local a site where I can find the name of the magazines. The one I am looking at right now is No 221, 1992.
February 17th, 2010 at 19:32
My favourite line from this:
“There are some very competent and expressive people, but also digi snappers that still seek direction.”
February 17th, 2010 at 20:53
Hi Ken,
the current (I believe quarterly) publication is “Shashin Realism”:
If or what was there before that I am not so sure. On the JRP pages there is also something called核時代の光景 [Kakujidai no Koukei], although I never came across it:
If you can try sending us a photo or scan of the cover