Tambay (The Watchman) {click to enlarge}
Text and images by Michael G Dougan for Japan Exposures
Let me start by saying that I like folding cameras. In fact, I like them so much that between the 59 cameras I own, there are quite a few folders. When I got curious about film photography one of the first serious cameras I bought was an Agfa Super Isolette,...
Dirk
25 June 2009
Feature, Review
6x6, 6x7, Agfa Super Isolette, Balda, bessa 667, camera collector, Certo Six, classic cameras, folding cameras, fujifilm gf670 professional, ginza, leica, medium format, rangefinder, Zeiss Super Ikonta
Text and images by Christoph Hammann for Japan Exposures
If you‘re using color negative film in a hybrid workflow, does it matter what film you use? Or is it true that you can do everything in post-processing? Essentially, in the digital age, what exactly does your choice of film itself bring to the table?
I had occasion to ponder these questions...
Dirk
2 April 2009
Feature, Review
centuria, christoph hammann, dai nippon printing, dnp centuria 100, ektar, film scanning, film test, grain, hybrid workflow, Kodak, konica
gallery KAIDO utility pole sign -- photo by Tyler Ensrude
Text and images by Tyler Ensrude for Japan Exposures
Have you ever been to a gallery and felt as though the reception almost didn’t want you there or could care less that you entered the room? Even in Japan, a country known for it’s outstanding customer service, some places can still hold...
Yutaka Takanashi Field Notes of Light Exhibition
Yutaka Takanashi’s current retrospective at The National Museum of Modern Art in Tokyo, — it runs until March 8 — is a great opportunity not only to view the trajectory of a career that has spanned close to 50 years, but also to trace the city of Tokyo from its pre-1964 Olympics days...
My first encounter with Hiroshi Sugimoto’s work was in a 1980s compilation of Japanese modern art featuring his movie theatre and seascape works. Not surprisingly, it took me quite a while to wrap my own mind around his visions.
What is fascinating about Sugimoto’s photographs is that even when looking at work from 20 or 30 years ago, it...
Text and images by Christoph Hammann for Japan Exposures
Germany is full of Christmas fairs this time of the year. They are to be found in every larger town and even in some villages. Visually, they are an assault of colored lights, vivid vendor‘s stalls and people mingling and socializing while sipping Glühwein (mulled wine) and nibbling Lebkuchen...
Nobuyoshi Araki’s recent Koushoku Painting show at Rathole Gallery (October 17 – December 7, 2008) featured 10 very large silver gelatin black and white prints that Araki had then painted over with various colors. Most of the photos depicted different models in various states of bondage, or “kinbaku” as it is known in Japanese....
The first impression you get from picking up and open Tomoko Sawada’s School Days is that while it is a standard, small sized photo book and specified as a paperback, the pages are thick cardboard pages like a children’s book. This gives the book a chunky feel, but also means that the number of pages and therefore the number of plates included...
Text and images by Christoph Hammann for Japan Exposures
When I took up a new project this fall, I decided to try my hand at developing color negative film. This is supposed to be difficult and prone to developing errors. In fact, though I had bought some Fuji Pro800 rollfilm and a Naniwa Colorkit N C-41 developing kit earlier, I held them back...
Even though Ryuichiro Suzuki has been a photographer for close to 45 years, he has until recently remained relatively unknown and unheralded, even in Japan. However, with the publication last year of Odyssey, a retrospective monograph of Suzuki’s career, as well this year’s release of Druk – both from the Japanese publishing house Heibonsha...
Recent Comments