Photo-eye recently posted their annual “Best Books” feature, with a whole host of photographers and photo people submitting their top 10 books of 2009. Naturally I was interested to see what Japanese books made the grade, but was rather disappointed that on the whole so few Japanese books were chosen. This is I’m sure due in large...
Kurt
20 January 2010
Feature, Review
Akiyoshi Taniguchi, daido moriyama, eikoh hosoe, Ivan Vartanian, Jiro Nomura, Jun Abe, Manabu Yamanaka, Nobuyoshi Araki, Osamu James Nakagawa, shigeichi nagano, shomei tomatsu, Tadanori Yokoo, yasuhiro ishimoto
Masashi Asada, from Asadake (2008)
Review by Dan Abbe for Japan Exposures.
Earlier this year, a friend mentioned to me that he’d recently seen an award-winning show at the Konica Minolta gallery. It had apparently made a real impression on him, so when I next found myself in Shinjuku I decided to stop by. As it turned out, the show was “Asadake”...
Never meet your heroes — or so they say. Those who do live on to tell the tale. About twenty years ago, I remember it being a cold winter’s day as I once more browsed the photography section of the public library in central Frankfurt, Germany. My interest in the medium was just firming, and like all of us I was trying to take in as much...
Dirk
11 November 2009
Feature, Review
たかちゃんとぼく, 細江英公, eikoh hosoe, embrace, 花泥棒, 高橋 国博, 鴨居羊子, hanadorobou, Hisae Imai, Kunihiro Takahashi, Miss Petan, Taka‐chan and I, toseisha, tunic, Yoko Kamoi, 冬青社, 今井 寿恵
A first look at the Yashica EZ F521 from Japan Exposures on Vimeo.
It’s small, light, bears a quality name and there is a lot of plastic involved: welcome to the Yashica EZ Digital F521, a camera released in Japan yesterday.
Don’t let the big name “fool you” though, this is an inexpensive digital camera that has more in common...
Everyone I showed Slowly Down The River casually over drinks or at a dinner table, when there is no time to read the introduction, immediately assumed that these photos were taken in a war zone, after an earthquake or other catastrophic event. How better to arouse a viewer’s curiosity by taking expectations for a ride? Photographer Yasuhiro Ogawa...
Text and images by John Sypal for Japan Exposures
The other night I picked up Araki’s latest book, Tokyo Aruki. It comes in at a modest 160 pages printed at the extremely portable A5 size. Initially I was taken in by the reasonable asking price, but after a couple go-throughs it is plain to see that portability was a major factor in this book’s...
Tambay (The Watchman) {click to enlarge}
Text and images by Michael G Dougan for Japan Exposures
Let me start by saying that I like folding cameras. In fact, I like them so much that between the 59 cameras I own, there are quite a few folders. When I got curious about film photography one of the first serious cameras I bought was an Agfa Super Isolette,...
Dirk
25 June 2009
Feature, Review
6x6, 6x7, Agfa Super Isolette, Balda, bessa 667, camera collector, Certo Six, classic cameras, folding cameras, fujifilm gf670 professional, ginza, leica, medium format, rangefinder, Review, test, Zeiss Super Ikonta
Text and images by Christoph Hammann for Japan Exposures
If you‘re using color negative film in a hybrid workflow, does it matter what film you use? Or is it true that you can do everything in post-processing? Essentially, in the digital age, what exactly does your choice of film itself bring to the table?
I had occasion to ponder these questions...
Dirk
2 April 2009
Feature, Review
centuria, christoph hammann, dai nippon printing, dnp centuria 100, ektar, film scanning, film test, grain, hybrid workflow, Kodak, konica
gallery KAIDO utility pole sign -- photo by Tyler Ensrude
Text and images by Tyler Ensrude for Japan Exposures
Have you ever been to a gallery and felt as though the reception almost didn’t want you there or could care less that you entered the room? Even in Japan, a country known for it’s outstanding customer service, some places can still hold...
Yutaka Takanashi Field Notes of Light Exhibition
Yutaka Takanashi’s current retrospective at The National Museum of Modern Art in Tokyo, — it runs until March 8 — is a great opportunity not only to view the trajectory of a career that has spanned close to 50 years, but also to trace the city of Tokyo from its pre-1964 Olympics days...
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