Bookstore on brief summer vacation

Summer is of course here and that means summer vacation for a lot of us. The Japan Exposures bookstore is no exception, and I just wanted to let you all know that for two weeks, starting this coming Tuesday the 14th, we will be virtually open but unable to ship packages during that time. You can of course still order, and the orders will be promptly packaged and shipped upon our return at the end of July. While away I will try to reply to any inquiries about existing or future orders, but my internet connection will be spotty and so it may take me a few days to get to it.

Here’s wishing everyone a great summer.

Hand-made leather camera case for Olympus E-P1

Hand-made leather camera case for Olympus E-P1

We are pleased to announce an addition of a Olympus E-P1 version to our popular range of hand-made leather camera cases. The Olympus E-P1 Digital Pen is one of the most stylish digital cameras we have seen in years. A quality camera case will make it even more presentable and also protect this valuable camera from external knocks while at the same time be smooth in the hands when using it. A detachable back cover protecting the LCD display is available as an option.

These camera cases handmade by an artisan, one by one, in the old center of Tokyo. Their quality and feel are extraordinary; “Perfume of REAL leather, high quality finish and stitching” writes one satisfied customer.

A unique feature of this case is that the strap attached to the case, not to the camera as with most other cases. This case effectively cradles your E-P1 safely and gently. It deserves it.

Yes, there are cheaper cases out there, but not at this level of quality. Even Olympus’ own mass-manufactured case and strap will cost almost what this high-quality hand-made case does.

New Moriyama Book and DVD

Daido Moriyama: Northern (2009)We’ve just got in copies of Daido Moriyama’s brand new book, Northern, featuring work Moriyama shot in Hokkaido during a three-month trip in 1978. This work was first brought to a wider audience last year with an exhibition at Tokyo’s Rathole Gallery — accompanied by a massive $200-plus tome Hokkaido which featured over 600 photos — as well as several exhibitions of the material in Hokkaido itself.

The current book weighs in at a mere 200 or so pages, with “only” 176 photos, but while it may not be as comprehensive as the book of last year, it is still quite a beauty and has instantly propelled itself to the top of my favorite Moriyama books. (Takuno 1987, now hard to find, tops this list, if you’re curious). Outside of photographs that accompany an interview with Moriyama at the beginning of the book, as well as those few that accompany some essays at the back of the book, the vast majority of photographs have been printed full-bleed, one to a page. Given that this is an A4-sized book (8.5 x 11.5 inches roughly, for those in the US), it makes for a sumptous offering. (And truth be told, the paper is of a thicker and nicer quality than the Rathole book).

Every Moriyama outing is full of grain and tilted camera angles and stray animals, and there is plenty of that to go around here. But somehow these Hokkaido photographs come dripping with even more texture and pathos. Falling snow looks more like little pinholes in a distressed 35mm film negative, and the more open-space quality of Hokkaido, as opposed to the normal Tokyo stomping grounds of Moriyama, effuses much of the work with a reflective loneliness.

In addition to the book, there is a 58-minute DVD of an interview with Moriyama on the soundtrack while a slideshow of the Hokkaido work plays. Essentially the interview is the same as that which appears in the book (both in Japanese only), but many of the photos included in the slideshow do not appear in the current volume, creating a real value add.

Northern is for sale in the Japan Exposures bookshop.