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Rayqual releases Nikon F and Contax/Yashica to Micro 4/3 lens adapter
Ahead of scheduled July 2009 Rayqual has released the two announced adapters for the Micro-Four-Thirds system (such as Panasonic Lumix G1 and the speculated digital Olympus Pen F).
As always these high quality MADE IN JAPAN adapters are made to high quality standards and allow photographers and cinematographers to reliably and precisely mount their Nikon F and Contax/Yashica lenses on modern digital bodies.
Pentax K, Olympus OM and Leica R versions will follow suit in August.
Related posts and articles on Japan Exposures:
- Rayqual releases Olympus OM, Leica R and Pentax K to Micro 4/3 lens adapters As previously announced Rayqual has released the three more adapters for the Micro-Four-Thirds system (such as Panasonic Lumix G1,...
- Rayqual M4/3 adapters on the Olympus E-P1 A customer in Malaysia, who is obviously privileged enough to be given a private view of a final pre-production...
- Micro 4/3 lens adapter choice to increase Premium lens adapter manufacturer Rayqual just informed us of the following upcoming releases of new adapters for the Micro Four-Thirds...
- Converted Contax G lens for Leica M Packages As you know we have been offering lens modification services for Leica mounts via MS Optical for a while...
- Introducing Rayqual lens adapters We are pleased to be able to offer for sale adapters by the specialist Japanese adapter manufacturer Rayqual. Rayqual lens...





June 13th, 2009 at 4:03
I’m thinking about buying a digital body and an adaptor but don’t like the size of the Canon 5D. Is the Lumix a comparable solution (sensor size aside)? Does this mean I can use fast lenses (as far as f1.2?)and get the same DoF effect as with film?
All guidance welcome; many thanks.
October 30th, 2009 at 23:29
Short answer, no. Long answer, yes and no.
Yes, depth of field remains the same, but as field of view changes depending on the sensor, to get the same depth of field to sacrafice field of view. If you want the same field of view, you then alter the depth of field. This can be a good or a bad thing depending on the effect you’re looking to achieve.