Going, Going, Biogon

Carl Zeiss ZM Biogon 25/2.8

Alright then, I have done it again. Splashed out the dosh. Yet another piece of kit in the bag and another Zeiss ZM lens. Could not resist its call. I have owned the CV 21/4 for quite a while now, but I have to admit to never liking it much. It is too wide of an angle of view (of course this should not be a surprise) and using the external finder somehow bugs me. Then it is physically small and I just cannot get used to handling and twisting the little knob tab thing in front. Granted, there should not be much focussing at all with a lens that wide.

So what is different with the Biogon? First it is a more moderate wide at 25mm and I think can use the normal viewfinder of the M6 0.58. I will just look at the 28 frame lines and remember it will be a little more. The lens itself is of a good size, in fact very similar to the Planar I already have. Like the 50mm, it handles very nicely. Focussing is smooth, 1/3 click stops, the “bulge” instead of a tab, all as expected.

I did indeed end up buying at Chikuma Camera near Ueno station. It was a fun experience. The shop is tiny and filled with used and new cameras and surprisingly many sales staff. When asking for the lens, I was given the 25mm in black and a 28mm in silver – the 25mm was not in stock in silver, which is what I originally wanted because they look so nice in the pictures, although I ended up buying the black instead anyway. A mat was spread out on the counter, ready for me to touch, inspect and admire the goods at my leisure. I almost felt I was sampling some wine or whiskey, which is funny because in the next moment the shop owner, staff and what turned out to be lingering customers opened a bottle of whiskey, Chu-Hi and other drinks. One guy, introduced to me as a “pro”, was smoking a pipe and I commented that this is a rare sight in Japan. We cracked some jokes and had a good chat. I must have received half a dozen of name cards by then. The owner then let me have a look at the Zeiss Ikon body and we all agreed that the viewfinder is absolutely outstanding, but probably the only thing superior to a Leica M body. I finally made my payment and was given a thick “Zeiss Ikon” magazine (as it is common in Japan, a magazine completely dedicated to one camera system is published). On my way out from a smoky and chatty camera shop I was invited to come round for a cup of coffee next time when I am in the area.

I have shot 3-4 rolls with the lens and should have some results soon.

If you look at the pic, you will notice I did away with the neck strap. I made my own wrist strap out of parts of bought straps. Whenever I hold the camera without neck strap, i.e. just after buying it, I realise how much freedom that offers, so I made this strap and will try to continue working like that. It has some disadvantages though, because you never have both hands free.

Another photo show

Another photo show, by Dirk Rösler.

and not a single shot in black & white. This seems to be a real phenomenon.

I have only read this morning that black & white was the dominant way for mass market photo printing in China until the 1990s. Perhaps black & white is still too close to become a form for artistic expression. Especially developing countries may want to distance themselves as much and as fast as possible from those relicts of the pasts that may stand for poverty and technological inferiority. Since the Japanese culture and mindset contains a lot of developing country values, similar reasons may be at play here. Remember that the people in those photo clubs are usually middle-aged men around 60, who witnessed the boom years and the rise of Japan. They may not want to have anything to do with artifacts of that poor and undeveloped pasts.

Just having a stab at this. What do others think?

Fuji price increase update

As you may have noticed, we have already started inserting the new prices for the products affected by the price rise. The current prices have been inserted into the shop as special offers with an expiry of 31 Jan 2006. At the moment these are estimates and will be updated as soon has the prices become known in detail.

We have built up a reserve of the most popular products to help maintain the current price levels just a little while longer, but you should not rely on availability at the current price beyond January. Naturally, all orders placed this month will be at the current price; after that it is subject to stock, so consider this as the final call.

Scanning Workflow

Dimage Elite Film Holder FH-M10

I am thinking of buying an additional film holder for the scanner. My thinking is that when doing batch scanning, I can load and unload the next holder already while one is in the scanner. This should speed up the scanning process hopefully. While the time saving may not be that great, the cost for those things is very low (around 3000 yen for a pair), and with Konica-Minolta disappearing, you never know if there will be an opportunity to buy those later – for example the current one may break or similar.

Anyone care to comment on whether this is a worthwhile idea?