This book was not planned to happen. It was created somewhat accidentally, without a concrete result in mind. In spring 2006 I went out with a then new digital camera and came up with the idea to a flash project, essentially a fancy term for a collection of photographs on a specific topic to be created within a short period of time. Evaluating the appearance and other formal qualities of digital images, I set out to emulate Japanese photography or at least what was my impression of it. Seemingly arbitrary photos of environment and people, high in colour saturation, film grain and often out of focus, low in formality and overall a highly subjective and personal assessment of the immediate and trivial.
“Â The shallow mystery of the Japanese photobook has been revealed and it is time to move on.â€
The results somewhat surprised me. Perhaps an overall disrespect towards the photography style I had in mind and the consequent effect to not take the subject matter and even the image-making process itself too seriously helped producing the imagery involved. Looking at the results as a series of photographs, it appeared that in a particular way the aggregate result was greater than the sum of its parts. Once again, a surprise. The Japanese photobook, a small format book with the images printed in full bleed i.e. without image borders or explanatory captions seemed the natural way forward. The result to which you see here.
While it is perhaps not breaking new ground photographically, the book is an attractive artefact and is pleasant to read through and enjoy the images. At the same time it feels that the shallow mystery of the Japanese photobook has been revealed and it is time to move on.
Photobook, soft cover, 8 inch x 6 inch, 54 pages, 52 colour images.
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Second edition available on Blurb