Introduced by Silas Dominey for Japan Exposures.

I first saw Tomoyuki Sakaguchi‘s images of suburban Tokyo when I was in my third year of a photography BA and something of a transparency film snob. Everything had to be film, and the only purpose of digital was quick and dirty snapshots. Sakaguchi’s work was the catalyst that suddenly pointed out that fine art photography is not strictly the reserve of film. The appeal of Sakaguchi’s series Home is, for me, how effectively it marries the ‘look’ of digital photography to the content of the series. The strange quality of light and the unnatural saturation and tonality of the greenery have a uniquely digital aesthetic.

This glossy plasticity is at odds with an American photographer whose work provides an interesting counterpoint. Todd Hido’s large format series Homes at Night embodies everything Sakaguchi’s work eschews. Where Homes at Night is dark, subdued and atmospheric, Home is vibrant and saturated. Hido’s images are stuck in the past, whereas Sakaguchi’s are unashamedly modern. We need only look at the cars in Sakaguchi’s images to confirm this. They are brightly coloured, compact, utilitarian. They are also, in a very real sense, the main characters in this odd little nocturnal drama. They occupy each image with surprising presence and vitality, providing a link to the sleeping residents of each home.

[In addition to Silas’ selection of images from Sakaguchi’s Home, we’re also pleased to present a small gallery of work from Sakaguchi from his earliest series “Mado” (2002) and his most recent work, “Ita☆Sha” (2009). — ed.]

Please also see our current Cover Photo by Sakaguchi.

Sakaguchi’s book Home is available in the Japan Exposures bookstore.

Silas Dominey recently graduated from Leeds College of Art’s BA Photography Programme and currently works as a freelance photo assistant. His work can be seen at www.silasdominey.com.