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Film Matters — The Choice of Film in a Digital Workflow

Film Matters

Text and images by Christoph Hammann for Japan Exposures

If you‘re using color negative film in a hybrid workflow, does it matter what film you use? Or is it true that you can do everything in post-processing? Essentially, in the digital age, what exactly does your choice of film itself bring to the table?

I had occasion to ponder these questions while testing the new Kodak Ektar 100 against DNP’s Centuria 100 film. While the former is lauded far and wide for it‘s fine grain and color reproduction, the latter is said to be a no-frills, mass-market oriented version of Konica‘s color negative film with high color saturation.

DNP Centuria 100
DNP Centuria 100

For the purpose of this comparison, I took photos of a field of crocuses in Düsseldorf‘s Nordpark at the beginning of February. In most shots, I used a Micro-Nikkor 105 VR and a R1C1 macro flash kit with colored gels.

DNP Centuria 100
DNP Centuria 100

I also used these two films in a studio lighting workshop held by Jens Brüggemann. This proved to be an excellent learning experience! The shot above shows a mixed light situation (daylight from above and the flashes modeling light out of a huge umbrella from front left) rendered by the Dai Nippon Printing film.

The lead image on top shows Kodak Ektar coping with light from two strip softboxes aimed at the model from 90 degrees left and right.

Apart from these single images, how did the test go?

Methodology first: I took care to develop the films the same way, putting one of each in a Jobo 1520 tank and developing them with the Naniwa Color Kit N.

Film Matters

The negatives were scanned with a Minolta Dimage Scan Elite 5400, using no anti-grain dithering and the same light grain reduction in both films.

DNP Centuria 100 at left, Kodak Ektar at right
DNP Centuria 100 at left, Kodak Ektar at right

Grain did indeed turn out to be a major difference between the two films. The 100% crops in the picture above had their levels adjusted, but were not sharpened or reduced in grain. Kodak‘s claims of extremely fine grain for the Ektar are fully justified.

DNP Centuria 100 on top, Kodak Ektar at the bottom
DNP Centuria 100 on top, Kodak Ektar at the bottom

Color balance was markedly different, too. The prohibition sign in the picture above was photographed with the macro flash (without gel filter, of course!) and white-balanced with a levels layer on the white circle denoting the bike‘s crankset. The sign‘s colors weren‘t nearly as garish as the DNP film makes them look, more faded and muted as in the Ektar version. So, a high saturation color negative film the DNP Centuria 100 surely is!

DNP Centuria 100 on top being color corrected with a color balance and a saturation layer
DNP Centuria 100 on top being color corrected with a color balance and a saturation layer

When I tried cheating and to adapt the color correction of DNP Centuria to match the one of Kodak Ektar with layers in Photoshop, the green parts of the sign quickly fell apart along the film grain. I could neither get the same yellow nor do much about the saturation. They don‘t call it a color balance for nothing!

DNP Centuria 100 at left, Kodak Ektar at right
DNP Centuria 100 at left, Kodak Ektar at right

Skin tones suffer under the DNP film‘s color rendering, while I find Ektar‘s skin tones to be quite natural. Granted, these are two different models with different casts to their skin, but the left one wasn‘t that orange-y. And to be fair, the all-rounder DNP 100 has never claimed to be a portrait film.

If all that sounds like I‘m slamming the DNP Centuria 100 film, making an easy target out of it, I‘m not. In the crocus shots, I actually prefered it‘s saturation and color rendition. I also see a role for it photographing urban environments in their multicolored facets and a kind of grainy hastiness. Kodak‘s new Ektar is more true to life, though — mind you, it‘s colors are saturated enough. It has stunningly small and unobtrusive grain. If you are attracted by peculiar color and light combinations and want to capture them just the way you saw them, this is the film for you.

You have the choice, and that‘s the beauty of using film for color photography. Your results don‘t have to be predetermined by the sensor in your digital camera. Film matters, so take your pick and have fun.


 

Christoph Hammann is a fine art photographer from Waltershausen, Germany. He works with traditional film and silver halide papers as well as digital post-processing and alternative printing techniques. His website is “Mostly Black & White”.

 


 

 We have DNP Centuria 100 film available at very attractive prices in our web shop. Why not treat yourself to an abundant 100 pack for summer?

Negative News

DNP Centuria 200Shinagawa, Tokyo, Contax G1 on DNP Centuria 200
We have been notified of a price increase of the popular Fujifilm Natura 1600 colour negative film. This film has been our best selling film for several years now and its popularity is founded on its great performance under low light conditions where it really excels. And you don’t need a Natura camera to enjoy it. The price hike is about 10%, but we have managed to secure a decent amount of stock at the old price and will continue to sell at this price while stocks last. So if you like Natura 1600 and want to stock up on it, now is a good time to do so.

More negativity is in a forthcoming technical mini-review by Christoph Hammann for Japan Exposures where he checks out the new Kodak Ektar 100 Professional. For now meet its antipode, the Dai Nippon Printing (DNP) Centuria 100.

DNP inherited the Centuria brand from the now defunct Konica Minolta photography business. The Centuria films are low budget films with very decent performance, in fact if you ask top league Japanese photographer Koji Onaka, he would probably tell you that this stuff is all you should be using. We are offering very competitively priced 10 and 100 packs — treat yourself to shooting without the worries of cost. Three to four rolls of of Centuria versus a single roll of Ektar…