Tag Archives: Berlin

Takehiko Nakafuji — from STREET RAMBLER

Takehiko Nakafuji was born in 1970 in Tokyo, and after attending Waseda University he transferred to the Tokyo Visual Arts College where he graduated from the photography department. In 2013 he won the Special Price at the 29th annual Higashikawa International Photo Festival, and to date has published several photography books including Winterlicht (2001), Night Crawler 1995 & 2010 (2011), Sakuan, Matapaan – Hokkaido (2013), and his latest, STREET RAMBLER (2014), from which the above photo comes from.

Please also see this gallery with more images from Nakafuji’s STREET RAMBLER.

STREET RAMBLER is available in the Japan Exposures Book Shop.

Takehiko Nakafuji Gallery

Normally I don’t feel like taking photo book titles too seriously, but in this case I was not really sure whether my understanding of the word to ramble was correct. Indeed, it can be interpreted as talking a long walk for pleasure or to walk or go from one place to another place without a specific goal, clear purpose, or direction.

I also have spent many hours, if not days, taking long walks in various Japanese cities taking photographs. The photo walk is a common activity and popular in Japan. The goal was to take photos of people in the streets going on about their daily business. Taking photos this way is surely pleasurable and even more so it is to find that you have taken interesting photographs that are worth showing to others. You go into the darkroom or work on the computer and do your processing, crank up contrast and the intensity of your pictures. You think of the next place that you could go or travel to, to take more photos. But the thought that keeps lingering in my mind is the second meaning of the ramble. The lack of goal, purpose or direction. Not that these are necessary all of the time. Still, it somewhat leaves a void and the thought that perhaps the rambler is not privileged, but condemned to ramble, and the photographs may bear witness to this.


Takehiko Nakafuji has been traveling the world and documenting it for nearly 20 years. The following photographs come from his latest work, STREET RAMBLER, which sees Nakafuji in such diverse places as Cuba, New York, Paris, Russia, Shanghai, Berlin, and his native Tokyo.

STREET RAMBLER is available in the Japan Exposures Book Shop.

Hidekazu Maiyama — from Stadt der Engel

Hidekazu Maiyama is a Tokyo-based photographer who was born in 1962. Maiyama graduated from Kyushu Sangyo University in 1980. He makes his living as a commercial photographer photographing for mainstream magazines. The personal work series that this image is taken from was photographed in Berlin, Germany in winter 2011/12. It was inspired by the now classic film Wings of Desire by Wim Wenders. The film is about invisible, immortal angels who populate Berlin and listen to the thoughts of the human inhabitants and comfort those who are in distress. Even though the city is densely populated, many of the people are isolated and estranged from their loved ones. (Wikipedia). The photos aim to take the viewpoint of angels and bring the idea of the film into the contemporary.

The whole series will be shown at Gallery E&M nishiazabu from 6-24 November.

No preconceptions

The title of this post is a quasi-quote from the artist and legendary street photographer Garry Winogrand. It has become my main mantra of late, not only about photographic matters, but about life in general. It is a very difficult objective to keep an open mind, especially since I think that the interpretation of experiences and resulting conceptions are very closely bound to human nature, a natural way to make us feel emotionally safer. Brands and advertising, for example, exploit this longing for familiarity and make us reach out for packaging and colours we have seen before.

In itself, there is nothing wrong with this. However, there are certain times, if not most of the time, where we should be self-aware of our preconceptions, if only to prevent us to become easy prey for stereotypes and prejudices, positive and negative. Maybe we have heard something similar several times from from different sources. Or we have heard fractions of facts and our creative mind tries filling in the gaps. The purpose of this is to help making sense of the world in one way or the other, if only temporary. Would we feel the full effect of knowing that we know nothing, we would probably go crazy.

It is in this period of thought, where an email from a friend reaches me, and I am surprised that it discusses a very similar thought that I have been having and have recently articulated in an article for the German-Japanese Society of my hometown. Many people think of Japan by imagining sushi, temples, geishas and other “typical” things. While of course these things exist here, they by no means represent Japanese culture. In fact, I think they are rather offensive as they simplify and distort reality.

In my photos I am trying to show aspects of daily Japanese life, any and all aspects I personally come across. And even though I am not trying to exclude sushi, temples and geishas, unlike others I am also not looking for them. I capture what presents itself to me, and those obvious Japanese things are just several of many, many other things that make up the puzzle of this country. I can’t say I have succeeded, but just like they say in British news when they don’t know for sure: “The Police are keeping an open mind.”

I am quoting – with permission from the author – an article written for Tibetan Review:

Shattering the Shangri-La Stereotype: Tibetans re-branded
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